What typesetting covers, how it differs from typography, layout and DTP, which tools typesetters use and what changes in other languages.
What typesetting covers, how it differs from typography, layout and DTP, which tools typesetters use and what changes in other languages.
OCR output in Cyrillic, Arabic or CJK can look perfect and still be wrong. What to set up and check, script by script.
The file format decides the multilingual project: a practical map of InDesign, Illustrator, Word, PowerPoint, and PDF – and what to send.
There is no single best OCR software – only the best for your use case. An honest comparison of the main tools, and where a tool stops being enough.
German runs longer, short labels break first, and Chinese uses fewer but wider characters. The real numbers by language – and how to plan for them.
99% OCR accuracy still means 15–20 errors per page – and the dangerous kind. Why OCR makes mistakes, and how to get accuracy you can trust.
What happens between 'translation approved' and 'files back in your hands': the post-translation DTP workflow, step by step, with the classic delays.
Arabic DTP is not a font swap: the direction flips, letters connect, and the page mirrors. What actually changes – and the workflow that works.
You have text stuck inside an image – a photographed sign, a screenshot, a scanned page, a diagram with a caption you need – and you want to extract text from image files without retyping it. The good news: in 2026 there are more ways to do this than ever, several of them free and...
Multilingual DTP is the step between translated and finished: why layouts break after translation, and how the professional workflow runs.